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Super Freakonomics

Sunday, December 4th, 2011

Super Freakonomics is the follow-up to Freakonomics. I’ll confess that I’ve never read the first book, but I did listen to the second book and loved it!

As a journalism major in college, I was required to take both macro and micro economics. I’d also had economics in high school, but none of the classes I’ve had was even half as entertaining as this book was. The book’s focus is on microeconomics and behavioral economics and looks at things like prostitution, how often doctors wash their hands, car seats, terrorism, and global warming.

Yes, definitely quite a wide variety of topics!

Everything was presented in such an interesting, entertaining manner that even topics I thought wouldn’t be particularly riveting, held my attention. One of the co-authors reads the book, and while this is not something I’m normally a fan of, it works here because he’s got a great voice and does just read the words. He performs them the way a good voice actor should.

One of the more interesting topics focused on crime and that incident in New York from the 1960s? 1970s? The one where the woman was stabbed to death in front of 15 or so witnesses and no one stepped in to help. Apparently, the account wasn’t entirely accurate and there are quotes and stuff from the people who lived there and people who investigated it after the fact.

The best part, though, of the entire book is the epilogue. They talk about a researcher who was working with monkeys and teaching them to use money. I was laughing quietly in my cube as I listened to this section and the ending of the book was great!

Highly recommended.

 

Cover for Dark Awakening!

Thursday, December 1st, 2011

Dark Awakening never had its own cover because it was part of an anthology called Shards of Crimson, which had four Crimson City stories. Now that Team Crimson City is working to publish our stories in electronic format, Kimi and Nic finally get a cover. As I blogged earlier, finding stock photos with multicultural characters was very difficult. Nic doesn’t look very much like the Nic I saw when I wrote the story, but I think the cover turned out awesome anyway.

I’d written the cover copy for this story back in 2006 because I wanted a description of my story for my website even if the back cover copy on the actual anthology was more specific to Crimson City as a whole.

Kimi Noguchi is working as an intern for an advertising agency in Crimson City and she’s discovered that she’s a kijo or witch. She thinks having talent is cool, but her magic attracts the attention of a power-hungry Bak-Faru demon and she’s forced to call on another demon, Nicodemus, for help.

Nic made a promise to stay away from Kimi for her own good, but now that she’s summoned him, all bets are off. She’s his vishtau mate, a bond held in reverence by all demons, and he’s not about to let this opportunity pass him by. Nic plans to protect, woo and win his woman.

This was the first time I’d ever written anything short. I tend to go over the word count numbers in my contracts by a pretty good amount. What can I say? Bonus story for readers, right? Sometimes it just takes a while for a story to unfold, and despite my attempts to prod them along, I can’t get my characters to move faster than they do.

The first ever cover for Dark Awakening…drum roll, please:

Cover for Dark Awakening by Patti O'Shea

Stay tuned for more on when Team Crimson City will have the series available in ebook.

 

New Cover For Through a Crimson Veil!

Tuesday, November 29th, 2011

When I blogged a couple of weeks ago about having so much trouble finding stock photos to use on covers, it was because I was in the middle of having covers made for Through a Crimson Veil and Dark Awakening. For those of you who are going Dark Awakening, huh? This is my Crimson City novella that was in the Shards of Crimson anthology.

Well, Through a Crimson Veil is finally available electronically! I’m still waiting on Amazon, but if you have a Nook, it’s up at BN.com. The story is also up in EPUB and Mobipocket PRC format at ARebooks and in a variety of formats at Smashwords.

Here’s the new cover copy I wrote for the book:

When a sexy half demon asks Conor McCabe for protection, he can’t say no and he doesn’t understand why. He hates demons. He doesn’t want to help her. He doesn’t want to want her, but every minute he spends with her strengthens his need to keep her safe—and intensifies the desire burning between them.

Mika Noguchi sought out Conor to steal the key that can free all demons imprisoned in Orcus. She quickly regrets her mission—Conor is her destined mate and he’ll view her theft as betrayal—but she gave her word to the council and the penalty for breaking it is severe.

Other demons are loose in Crimson City, however, and they have their own plans. They’re not about to let anyone stand in the way. Not Conor. Not Mika. They’ll do anything it takes to advance their agendas—even kill.

Writing cover copy is sooo hard. This totally made me appreciate my editors and anyone else at my publishers who wrote it for my books. I still have to come up with a short, one sentence blurb for Crimson Veil, but I’ll get there.

And here’s the cover:

Througha a Crimson Veil cover

BTW, Team Crimson City is working to get our books up in electronic format. More info to come.

Stock Photos and Cover Art

Tuesday, November 15th, 2011

For the past couple of months, the Crimson City authors have been working on getting the series up in ebook. It’s been an interesting process. I’d formatted a couple of short stories for ebook, but this was a full-length book and a novella. It was more work, but I also learned a few tricks to speed the whole thing up. And just to prove I’m a geek beyond all hope, I enjoyed the formatting. Mostly. :-)

Finding stock photos for the cover artist was much more difficult.

There are so many issues with stock photos. First, pictures of men and women grinning happily are not going to work for cover art. Especially if they’re wearing business suits. I haven’t written a character yet who dresses up like that, although I think I have one in the wings. Maybe. We’ll see if that lasts once I get into writing his story. And I write stories with suspense. Grinning people on the cover don’t work. Neither do people wearing phone headsets, holding money, using a laptop or the myriad of other poses rife on the stock photo sites.

Then there’s problem two–both people need to be attractive. It happened over and over again–I’d find one attractive person, but they’d be paired up with someone not so attractive. Why do so many photographers use one model that would turn heads and put him/her with a model who is plainer? Or if both the man and woman are good looking, the guy is scrawny. Muscles and looks are important for book covers

I had an extra issue at work on the Crimson City covers. Both my heroines are of Japanese heritage. Both their heroes are of European heritage. Yeah. There was one photo that was perfect. Sexy clinch. Asian woman. European man. And I’d already used it for the Power of Two cover. (Which will be coming in ebook eventually.)

The cover artist cut off the heads of one couple so you can’t see the woman isn’t Japanese. This is what we’re going with for Through a Crimson Veil. And I spent hours and hours (time I definitely don’t have) combing the stock photo site for something, anything we could use for Dark Awakening. I did find one picture with an Asian woman, only she was paired with an Asian man. My cover artist performed a miracle, but he was replaced.

Is it seriously too much to ask for stock photographers to put a good looking, muscular man with a good looking woman together in a pose that’s sexy without being Erotica sexy? A pose that doesn’t involve grins or any piece of business equipment? Is it too much to ask that some of the couples come from two different ethnic backgrounds?

I love writing multicultural characters, but getting covers made for those books is excruciating. I never found any picture that could even remotely work for Troll in my story, The Troll Bridge. Troll is multi, multi, multicultural. His heritage is part European, part Filipino, and part African-Caribbean. Yeah. You’ll notice that cover only has a woman on it. She at least looks something like his heroine.

As I contemplate future stories that I have in mind, I’m already dreading what their covers will look like. It’s not only authors publishing on their own or republishing their backlist who comb the stock photo sites. New York publishers are using stock photos now, too. What kind of cover will I end up with for my hero who’s Eurasian? What about my Polynesian/European hero and heroine? I have a couple of Latina heroines and one hero (all in different stories). Changing their backgrounds won’t work. My characters are who they are, but cover images…::shudder::

 

Baby, I’m Yours

Sunday, November 13th, 2011

The first Susan Andersen book I ever read was Baby, I’m Yours and it made her a Must-Buy author for me.

Catherine is a twin–the responsible, sensible twin. The hero, Sam, is a bounty hunter who thinks Catherine is her sister and he’s taking her in. Via Greyhound because he’s short on cash. The heroine does everything she can to mess Sam up and slow him down. At least until feelings start to develop between them. Over the course of the story, Catherine learns to let loose a little and not try so hard to be nothing like her twin.

There’s also a secondary romance with the twin sister, Kaylee, who learns to be more responsible along the growth arc of her story. In all honesty, I skip the Kaylee stuff when I reread this book. The main romance between Catherine and Sam is just too awesome.

To say I loved this book would be understating things. I really loved it. Catherine is smart and she’s no one’s pushover. Throughout the book she goes toe-to-toe with Sam and frequently out-maneuvers him.

Sam is sexy and alpha and Catherine keeps him hopping. And frustrates him to no end, not just sexually either.

The book is light romantic suspense and has a lot of humor. I can’t think of anyone who does humor with suspense as well as Andersen does. This book is probably lighter on the suspense than some of her other books, but it doesn’t change how fantastic this story was. It’s a character-driven story and the hero and heroine are completely awesome.

Highly recommended.

 

The Better Angels of Our Nature

Sunday, November 6th, 2011

Last week, I finished listening to a book by Steven Pinker The Better Angels of Our Nature. The subtitle for this book is Why Violence Has Declined.

I picked up the book on Audible and listened to it, which is a different experience than reading as I’m sure y’all know. My review is based on the audio book, not the paper version. I very much liked the narrator for the book, a big plus since it’s an extremely long book. The paper version is listed at 800 pages and the audio version had 5 parts. Most Audible books come in 2 parts.

The premise intrigued me when I saw it. Violence is declining? In many ways, the world seems more uncivilized now than it’s ever been. Right? But the author begins the book by explaining what everyday life was like in the past and what our ancestors considered normal.

Blood sports in ancient Rome–gladiators fighting to the death, starving animals set loose with Christians, two animals fighting to the death. Blood and circuses to use the term I’ve heard in my history classes. Torture was everyday practice in the medieval period and people turned out to watch. People cut off the noses of others and apparently this was quite common, as was stabbing people to death during a dinner. Burning accused witches. The Inquisition. Well, the list can go on and on and it did in the book. The author talks about the increased violence that began in the 1960s and continued into the early 1990s before reaching today.

The length of the book makes it impossible to summarize coherently and I didn’t make notes, but Pinker doesn’t offer predictions about the future. While he said things have been improving, events could send us back into higher level of violence.

Overall, I found the information and the way it was presented to be extremely accessible and interesting. There is one section that gets heavily into an explanation of statistics before presenting the actual data that got a little long, but it was brief. I also found the last few chapters to be dry as well and would have preferred it ended a bit earlier. The last chapter in particular where it’s primarily a summary of all the rest of the book was particularly hard for me to sit through.

Another caveat is that the author gets quite graphic about what routine torture was like in the medieval period, and with my squeamishness, I was forced to remove my ear buds a couple of times. Pinker explains that he goes into this level of detail because of the way the past frequently gets glossed over or sanitized.

And squeamish or not, I think he was right about that. We’ve all heard of the iron maiden and the rack and breaking people on the wheel, but I didn’t really give any real thought to these things being used on real, living people. I knew they had been, of course, but somehow in my brain, I disconnected the suffering/pain/death that these things caused from the devices themselves.

Pinker did a tremendous job using facts and figures to support his argument about the decline of violence. I didn’t agree with everything I heard and some of it bothered me or made me uncomfortable, but I was able to disagree with some things without it toppling the premise.

But you know what? This book really made me think and it made me look at events–both historical and more modern–from a different angle so I’m calling the time well spent. I like having my world view knocked askew and I liked the fact it made me mull over things I thought I knew. Maybe the best part, though, is that I was left feeling hopeful about the future of humans. Maybe things aren’t as bad as the media would have us believe after all.

Recommended, but be prepared to make a big time commitment.

 

To Epilogue Or Not To Epilogue

Thursday, October 27th, 2011

When I first wrote Ravyn’s Flight there was no epilogue. My editor asked me to write one and what finally was published is the second version of it. Originally, I had the epilogue taking place on Earth and my editor wanted it on J9. She was right. In hindsight, the story did need to end on the planet where the story took place and I like this version best of the two.

Since then, I have almost always added an epilogue to my books. I’m pretty sure all my full-length books have epilogues, but I don’t think two of the short stories do. Anyway, the reason I’ve chosen to add an epilogue is because I write action/adventure romance, sometimes there’s so much going on in the story that I think the reader needs time with the couple when there aren’t shoot-outs going on to see that yes, it is true love and to have that ahh moment. But this isn’t something I’ve given a great deal of thought to in years. Until this week.

I’ve been reading on my lunch at work and the book had quite a bit of action going on. And then it ended and there wasn’t an epilogue. As a reader, I wanted that epilogue. I needed the epilogue. I wanted to see the hero and heroine together without assassins lurking, without bullets flying.

I’m pretty sure the author thought she’d wrapped the story up just fine and didn’t need an epilogue. I thought the same thing with Ravyn’s Flight, but I was wrong and this author was, too. I’m still irked a couple of days after finishing the story that I didn’t get to see the h/h six months in the future or a year or ten years. Anything would have made me happy.

The fact that I feel so cheated is interesting to me as a writer and it has me looking at this, analyzing it. I’m fairly confident that it does have to do with the amount of action in the story, that it nearly begs for a quiet, serene epilogue, but I’m mulling a little more, trying to figure out if there’s something else going on. Writers really do read differently than normal people.

Before I really dedicated myself to the writing, I wouldn’t have taken the time to think about this. I just would have complained about it and felt cheated for a while, until some other book pushed the memory of this one from my mind. Now, though, when something does or doesn’t work for me as a reader, I find myself turning it around, studying it, trying to come up with whys.

Why You Won’t See “What I’m Working On”

Thursday, October 20th, 2011

Tuesday on Twitter, people retweeted a link to what authors must have on their websites. The items I remember off the top of my head are: A printable book list. I have this. A list of all books. I have this. A coming next page and a works in progress page. I have the coming next page, but don’t have the work in progress page and I’m not sure it’s something I want to do.

For one thing, not every proposal for a book sells. If I talk about an idea and never write more than three chapters of it, will readers be disappointed? After all, if I talked about it, people should expect me to write it. If it doesn’t sell, I’ll be onto the next project.

The second thing is that I don’t necessarily sell my projects in the order I work on them. In 2004, I wrote the proposal for In the Midnight Hour and In Twilight’s Shadow. Then I wrote the proposal for Eternal Nights and finally the proposal for Through a Crimson Veil. I sold them in the reverse order. In fact, it took 18 months to sell Midnight Hour and by then I’d finished my Crimson story and was working on EN. It was another six months after that before I actually wrote Midnight.

In this set of circumstances, I can’t see where it’s beneficial to officially talk about my stories in progress. The coming next page, though, is a different case. Anything I post there is contracted work and will be released.

It was nice to know that I’m doing stuff mostly right. I do have all my books listed on one page, but with links that breaks them into either subgenre (in case someone wants paranormal romance, but not science fiction romance or vice versa) and also into series (so if you read one Light Warriors book and want more, they’re all available). I also saw in the comments that publication dates with the books is a good thing. I’ve done that as well, at least the year, if not the month and year.

Reading the comments to the blog post highlighted something interesting to me–there are still authors without websites or authors who don’t bother to update their websites for years. I knew a bunch of older authors didn’t have sites because I’ve tried to find them after I talked about their books, but I didn’t think authors publishing now didn’t have sites. Wow.

 

Crave the Night Is Available!

Tuesday, October 18th, 2011

Crave the Night is now available! This is a paranormal romance anthology I was part of with Michele Hauf, Sharon Ashwood, and Lori Devoti.

My story is titled Enemy Embrace and it’s the latest story in the Blood Feud World. Here’s the description for my story:

Nicole Ruiz is an elite vampire hunter who can shadow her quarry anywhere. Daktan is an executioner assigned by the demon king to eliminate a rogue vampire who’s killing humans. When Nicole discovers the rogue is stronger than she expected, she offers Dak an alliance. She’d make a deal with the devil himself if that’s what it took to avenge her family.

The anthology was reviewed by Red Hot Books and here’s what was said about Dak and Nicole and Enemy Embrace:

This story was HOT. I was on the edge of my seat, waiting for these two to come together. Patti O’Shea… where have you been all my life?

The thing that’s so fun about writing in this world is that the hero and heroine can come from any group—vampire, demon, human, hunter, slayer, rogue vampire. And this is the story where the wizards are first mentioned. No one, not vampire or demon, likes them very much, but I’m working on a proposal now where the hero and heroine are both wizards. Heh! But I digressed. Again.

If you’d like to check out an excerpt, I have the first chapter up on my website.

 

Cover for Crave the Night Patti O'Shea, Michele Hauf, Sharon Ashwood, Lori Devoti

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Evolutionary Biology and Such

Sunday, October 16th, 2011

Instead of doing a review about something specific, I thought I’d give my impressions in general about the evolutionary biology/cultural evolution books I’ve been listening to. I’m not quite sure how I bought so many, although the descriptions do make them sound very interesting. Some have been, some haven’t, but that’s the same as any book.

So what I have learned in general? That there’s vast disagreement among the experts in these fields.

I’ll listen to one book that throws out a theory, offers supporting data, and data that refutes the other popular theories. The next book will have a proponent of one of the refuted theories as an author and I’ll get the same thing, only for that scientist’s pet thesis. It’s left me with my head spinning and not sure who the heck is right.

What I learned about myself is that no matter how interesting the theory might be, I want evidence to back it up and I have no patience for anecdotal or indirectly inferred conclusions. There was a book I stopped listening to because it never offered proof, just anecdotes that were supposed to be irrefutable evidence. No. I want facts. Also, none of the other books I’ve listened to in this field have remotely supported the book with theories and no real data. I feel safe in saying the authors were more interested in selling books than in advancing science as their controversial (and unsupported theory) was focused on sex.

There’s another book I downloaded from Audible in this field that I’d love to get through, but the narrator is really boring to listen to. This author takes the opposite opinion from the selfishness theory of evolution that many other experts in the field seem to assume is true.

When these other authors talk about generosity, it’s always something that animals (and people) do because they expect to be repaid later. That the person performing the act, let’s say sharing food when another family has none, expects the action to reciprocated later. We’ve all seen and heard stories of people risking themselves to save others. People donating generously to strangers. Good Samaritans who stop to help others. I don’t believe this is all done with the expectation of reciprocity at some later time. And because I feel this way, I’d love to make it through the book that sounds as if it deals with this facet of evolutionary biology and genetics. Narrators really can make or break the book.

My final thought is that I’m tired of this topic. :-) I need to use my Audible credits on a different non-fiction topic.