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Posts Tagged ‘characters’

Right-Sizing a Character’s Issues

Tuesday, December 6th, 2011

I was reading a book recently and the author did something that really bothered me. She gave the heroine a huge, enormous issue in her backstory, but then largely neglected it except for lip service now and then. I guess you’d call it a wallpaper character issue.

If, as a writer, you choose to give a character a life-altering event in their past, one that is supposed to have affected them for a long period of time. One you tell me that they still haven’t healed from. Then it requires that the issue be dealt with over the course of the book. Don’t tell me they feel a certain way and then have the character immediately act as if the issue never happened. Not unless your character is also dealing with denial, but that wasn’t the case in this story.

So here’s my take on things. First of all, while a writer needs to know a ton of stuff about her characters, the reader doesn’t necessarily need the information if it has no bearing on the story. Secondly, if you give your heroine (or hero) a big issue, it has to be dealt with during the story and it can’t only be mentioned on rare occasion. Third, the character’s change is called a growth arc because it happens slowly. People do not get over traumatic events as easily as flipping a switch.

When I wrote Through a Crimson Veil, Conor had one of these enormous issues. He was conceived when his mother was raped by a demon. Because of this, he hates demons…and he hates the part of himself that’s demon. His heroine is also half demon and her presence–and how he reacts to her–cause him to have to confront his issue. Believe me, normal people (and our characters are largely normal even if they’re demons or mercenaries or whatever) don’t want to deal with their issues. They have to be forced.

So over the book, Conor learns to deal with being demon. But this issue is more than that. He’s carried this hate his entire life. It is totally going to affect his interaction with the world. It will impact the way he thinks. It will impact what his choice of action will be. In other words, even when the issue is not directly being raised, it is still coloring every scene in the book. That’s what major character issues do.

If, as a writer, you don’t want to deal with that kind of thread, then I’d recommend giving the character a smaller issue. Small issues can cause tension and conflict, but are unlikely to color every scene or a character’s every action.

An example of a small issue is In the Darkest Night where Farran had a scar. The scar was something that she only had for 5 months before Kel healed it and made it disappear. She didn’t think of it all the time or touch her face constantly. But from time to time, she did remember it and it did affect her. The book itself, centered more on Kel’s issue which was another enormous one–Post Traumatic Stress Disorder (PTSD). That did color every scene he was in during the book, but Farran’s scar didn’t.

For me, it’s all about staying true to character and raising a big issue and then only using it when an author feels like (or remembers it) doesn’t play. Real people, real life just doesn’t work that way.

 

Stock Photos and Cover Art

Tuesday, November 15th, 2011

For the past couple of months, the Crimson City authors have been working on getting the series up in ebook. It’s been an interesting process. I’d formatted a couple of short stories for ebook, but this was a full-length book and a novella. It was more work, but I also learned a few tricks to speed the whole thing up. And just to prove I’m a geek beyond all hope, I enjoyed the formatting. Mostly. :-)

Finding stock photos for the cover artist was much more difficult.

There are so many issues with stock photos. First, pictures of men and women grinning happily are not going to work for cover art. Especially if they’re wearing business suits. I haven’t written a character yet who dresses up like that, although I think I have one in the wings. Maybe. We’ll see if that lasts once I get into writing his story. And I write stories with suspense. Grinning people on the cover don’t work. Neither do people wearing phone headsets, holding money, using a laptop or the myriad of other poses rife on the stock photo sites.

Then there’s problem two–both people need to be attractive. It happened over and over again–I’d find one attractive person, but they’d be paired up with someone not so attractive. Why do so many photographers use one model that would turn heads and put him/her with a model who is plainer? Or if both the man and woman are good looking, the guy is scrawny. Muscles and looks are important for book covers

I had an extra issue at work on the Crimson City covers. Both my heroines are of Japanese heritage. Both their heroes are of European heritage. Yeah. There was one photo that was perfect. Sexy clinch. Asian woman. European man. And I’d already used it for the Power of Two cover. (Which will be coming in ebook eventually.)

The cover artist cut off the heads of one couple so you can’t see the woman isn’t Japanese. This is what we’re going with for Through a Crimson Veil. And I spent hours and hours (time I definitely don’t have) combing the stock photo site for something, anything we could use for Dark Awakening. I did find one picture with an Asian woman, only she was paired with an Asian man. My cover artist performed a miracle, but he was replaced.

Is it seriously too much to ask for stock photographers to put a good looking, muscular man with a good looking woman together in a pose that’s sexy without being Erotica sexy? A pose that doesn’t involve grins or any piece of business equipment? Is it too much to ask that some of the couples come from two different ethnic backgrounds?

I love writing multicultural characters, but getting covers made for those books is excruciating. I never found any picture that could even remotely work for Troll in my story, The Troll Bridge. Troll is multi, multi, multicultural. His heritage is part European, part Filipino, and part African-Caribbean. Yeah. You’ll notice that cover only has a woman on it. She at least looks something like his heroine.

As I contemplate future stories that I have in mind, I’m already dreading what their covers will look like. It’s not only authors publishing on their own or republishing their backlist who comb the stock photo sites. New York publishers are using stock photos now, too. What kind of cover will I end up with for my hero who’s Eurasian? What about my Polynesian/European hero and heroine? I have a couple of Latina heroines and one hero (all in different stories). Changing their backgrounds won’t work. My characters are who they are, but cover images…::shudder::

 

End of the World

Thursday, November 3rd, 2011

Yesterday while I was at work, my iPod shuffled to REM’s The End of the World As We Know It and suddenly a story I thought was off the To Write list zoomed back on the radar. I’m pretty sure I mentioned the post-apocalypse romance I was researching a while back. Yeah, that one returned.

It was pretty unexpected although I had been picking up interesting bits and pieces that would help with the story over the last week or so, but it was a more distant thing. Certainly nothing like having the heroine show up and start talking. Again.

I have another story I’m supposed to be working on during my lunch at work, but this one is whispering oh, so temptingly in the recesses of my brain.

Among the interesting things about this return is that the heroine is telling the story in first person. I’ve had this happen before and the story has morphed into third person, but I’m getting the sense with this one that it might not make the shift. We’ll see. I’m not a fan of reading first person and the idea of writing it, spending months on end trying to reduce the number of times the word I is used is overwhelming.

The other thing that was interesting was that my heroine looks completely different than I thought she did. Although, in all honesty, I did have a sense I’d picked out the wrong picture the last time around. I just didn’t realize how wrong I was, though.

And just so y’all know, I did work on the story I’m supposed to be writing at lunch on Wednesday and I’ll keep working on it when I can. But wow, I wish I could write more than one thing at a time.

Going With the Flow

Tuesday, November 1st, 2011

One of the best pieces of advice I received on writing was that the process will change, and instead of fighting to do it the same way every time, I should go with how the story wants to be written.

This has turned out to be so true. Right after I sold, the process changed dramatically from book to book. Now, the changes aren’t as drastic, but they still happen. Whenever I’d start to get all stressed because this isn’t the way I do it, I’d remember the advice and stop fighting.

It continues today. Right now, I’m working on a trilogy idea set in the Blood Feud World and the information is coming in oddly. Maybe it’s because the first two couples have been around for more than a year, but my thoughts are caught up on the third couple. Particularly, the hero, although I am getting stuff on the heroine now, too. I wasn’t getting anything on her even a few days ago, so this is welcome.

The most recent information has been stuff that happens after the third book ends. At first I was wondering why. It wasn’t after the book couple stuff, which I’ve gotten before even it usually came when the entire book was written and finished. This was stuff with the hero and his family. Including hours spent listening in on a conversation between the hero and his father.

I finally got the why of it over the weekend. The relationship stuff that I’m seeing after the book is all unresolved during the story. That means that all these issues I’m seeing him deal with after he’s had his Happy Ending are going to be in play as his book unfolds.

Maybe I could have gotten this information in other ways, and maybe with another book, I would. But this is the process I’m dealing with for this book, and when I’m writing it, I’ll have to consider how these family things will impact the hero’s actions in his story. It would be so much easier to see it first hand, but no one ever said writing was easy.

We Have a Winner

Thursday, October 13th, 2011

I’m almost afraid to write this post, but I think my hero finally has a name. I don’t like it that much either, but like I said on Tuesday, I’ll take anything and smile at this point. The final choice? Mason.

My poor Twitter followers have been trying to help me for at least a week, probably longer, by tweeting me links to naming sites. I swear I have them all bookmarked. Actually, I must have 50 naming sites bookmarked by now, but so many of them have the same names. I also have a pretty extensive collection of reference books on names. Nothing helped.

The frustrating thing is that the name isn’t uncommon. I ran across it pretty early on and kept running across it, but my darn hero remained mute. Since I don’t like the name and he didn’t speak up to claim it, I continued to look. And look. And look.

I need names before I can get story/plot because what they’re called affects their actions. A Mason is going to behave differently from a hero named Jack or one named Scott, so it was critically important to me to get the correct name before I moved forward. It did get frustrating because he’s the third hero in a trilogy and I don’t need more than a couple of paragraphs on his story, but the third book wraps up the series arc and that could impact the earlier books, too.

Now that I have this vital piece of information, I can move forward with the next problems. I need pictures of my characters–it also helps me connect to their personalities–and I need to work out the three book arc. After that is in place, then I can think about the individual stories.

I do have some information already, but it’s the barest of frameworks, a patchwork of pieces that need to be sewn together to form the whole fabric of the trilogy. All I can do is hope this goes more smoothly than the name game.

 

It’s Become an Endurance Test

Tuesday, October 11th, 2011

The name game continues with my hero. I talked about this last week and it’s ongoing. Every time I think I have the right name, I get pulled up short. The problem is the overnight test. Basically this means the name has to stick overnight. This includes some test scenes with the name as I’m lying in bed. This hero nixed one of the names I thought was his at this stage.

The second name made it through this run, but when I woke up the next day and tested it again, it failed. I knew it hadn’t worked when his father wouldn’t call him by that name. Not that his father provided the correct name, but I rarely get helpful characters who provide information willingly.

Stubbornly, I continued to use the second name a few more days, but I finally was forced to admit that it wasn’t going to work.

It was back to the drawing board. I spent hours searching over the weekend and I have a third contender. I haven’t had time yet to run too many scenes through my head with this latest name–I’ve been falling asleep too fast–so I’m not calling it a done deal yet, but it has made it a few days with it in place. Personally, I’m not in love with it and it’s a name that strikes me as being old fashioned. Old fashioned enough to be unusual.

If it’s the right one, though, I’m not going to argue with him. I’ll take anything at this point so I can move forward with figuring out stories and arcs for the trilogy. I can’t do anything without the right names for my characters–it actually can and does influence action/plot.

And in the few hours since I wrote this post, my hero has rejected the latest name. The search continues.

 

Here They Go Again

Thursday, October 6th, 2011

Since I wrote my posts about the characters in my Works In Progress (WIP), one of my heroes informed me that his name isn’t his name. I hate when they do that. Last names aren’t a very big deal because when I think of them, I rarely use their surnames, but changing the given name does throw me.

The thing that’s so frustrating is that this is a character that’s been around for a long time and his name has always been Michael. Until now. Now he tells me it isn’t. That his name changed when he moved from a contemporary story to an alternate universe, and that in this alternate universe, he’s different from who he was before and he has a different first name.

His logic made sense to me, but the problem? He’s not telling me what his name is supposed to be. Oh, he’s happy to tell me what it isn’t. And apparently it isn’t any name I’ve come across online or in a naming book. At least so far.

I can’t even get him to give me a hint. A simple It starts with a B or whatever would help tremendously. But nope. No help from him whatsoever.

So in the meantime, I’m still thinking of him as Michael. If he doesn’t like it, maybe he’ll reconsider his level of cooperation.

 

It’s All In How You Look At It

Tuesday, October 4th, 2011

Two of the fields on my rarely used character sketch worksheets are: How does the character perceive him/herself? How do others perceive the character?

To give an example, I’m required to go through assorted training classes for my day job. One was a two day training class in Human Factors. On the second day of class, the instructor made some comment about my being an extrovert. It stopped me in my tracks and I was like, whoa! Not only am I not an extrovert, I’m also shy and tend to be nervous in situations with people I don’t know well. I also tend to be quiet in those types of situations. So who’s right?

Let me explain what the instructor saw. I’d been through enough other training in the recent past that I’d learned a few things. 1. when the instructor asked a question of the group, no one would answer. 2. the lack of response dragged the classes out even longer than they were already. 3. If someone gave the right answer, things moved much, much faster.

So whenever a question was thrown out to the group and no one else immediately spoke up, I would give the answer to get the class moving. I hate sitting there with crickets chirping. "Anyone? Anyone? Bueller? Bueller?"

The instructor perceived my willingness to speak up when he asked a question as outgoingness. But I’m far from outgoing; I was answering questions as self-preservation. It made the class move faster. I also had some hope of getting through the course material ahead of schedule on day 2 so we could be dismissed early.

Despite my speaking up in class, it actually shocked me that he thought I was an extrovert. I had to take a mental step back to assimilate that and figure out why he could possibly believe something so false.

To bring this back to writing and characters, how your character behaves in certain situations will shape how other characters see him/her. Maybe your character answers all the questions in a training program, so one set of people see her as outgoing, but she stands in the corner at a house party. Those people will perceive her differently. Other characters act on how they perceive the hero/heroine. Maybe the instructor asks the heroine to lead the discussion on day 2 of training. He asks because he sees her as outgoing, not realizing that she’s dying over the thought of being in front of the class. (This did not happen in my class. :-)

So it’s not enough to just know that your character is perceived differently by his mom than by his sister. You have to have these characters behave in a way that fits their expectations of who the hero is.

I’ve been dealing with some of this in one of the Works In Progress (WIP). My hero has long hair, stubble, and is hanging out with secondary characters of questionable morality when he meets the heroine. My heroine isn’t going to treat him the same way she’d treat a clean-cut man who worked for a charitable organization to feed starving children. There’s going to be a big dose of wariness on her part. There has to be because of her perception of who and what the hero is.

Perception always colors reality. IMO, of course.

 

Story Three

Thursday, September 29th, 2011

Couple three in my Blood Feud trilogy are the sketchiest of the couples. Which doesn’t surprise me since they’re the final pair.

Michael Lassiter is a wizard. You’re thinking, what? There are no wizards in the Blood Feud world. Ah, but there are. They’ve kind of been skulking in the background, but none of the stories released so far have had them involved in anyway. That changes with Enemy Embrace which comes out in October in Crave the Night.

This world is interesting to me because there are so many groups with so many different agendas. A hero and/or heroine can come from any group at any time. A villain can come from any group at any time.

So Michael is a wizard and a powerful one. He’s not thrilled to be in this position because he doesn’t want the obligations to his people that come with this power, but he doesn’t have a choice about it. I’m honestly not sure at this point how the wizards get involved in the trilogy. More pieces of the puzzle that I don’t have yet. Maybe (and this is only a guess on my part) he gets dragged in because of his heroine? Definitely unsure about this.

His heroine’s name is Honor. She’s a human with power, too. I’m not sure what–exactly–she is yet, though. I also don’t know even the vaguest basics about the storyline. All I know is that this is the book where the story wraps up and the bad guy defeated. Beyond that? It’s all nebulous.

If you read my post about puzzle pieces from last week, then you know how frustrated I am with how little I’ve been given. I just have to trust that it will all work out when I do get those pieces.

 

Story Two

Tuesday, September 27th, 2011

Last week I promised I’d continue talking the couples in my Blood Feud World trilogy idea and mention couple number two.

This hero is another of Malachi’s friends whom he mentioned in Shadow’s Caress. His name is Jet and yes, that is short for something which I won’t mention here because it might (or might not) end up being something I use in his story. Jet is an enforcer for all the vampire clan lords, not only one.

If you read Blood Feud, you know Isobel was an enforcer for her clan lord. That puts her in an elite category, but Jet goes beyond that working for all of them. That means he’s the elite of the elite, like special forces of the vampire world. He’s been assigned by the clan lords to tail his heroine.

Rachel (I’m reasonably sure this is her name) is a rogue vampire. In the Blood Feud world, rogue means unaffiliated with any clan lord. There used to be no rogues until a clan lord died in the demon wars. Since then, many vampires re-affiliated themselves by sharing blood with members of other clans, but there is a large group that didn’t do this. This dead clan lord was not a kind and benevolent vampire and none of his now-free constituents want to risk being tied to another clan lord like that. The bad guy in the trilogy is the leader of the rogues, but Rachel has no interest in following him either.

Jet is the one who came in a while ago and was kind of skulking in the shadows. Really. I just had this sense that he was stalking someone. It turns out, he was stalking Rachel. On orders.

This is about all I have about this story. I’m still waiting for more puzzle pieces to show up here.

Tune in Thursday for couple three.